‘Peace’ – the theme for Shoreline of Infinity’s flash fiction competition 2025.

Winning story:
Eternal Peace, by Jadie Bea

Runners up:
Peace is the Absence of Error by Franki Halliwell
Tall Tales at Vent Camp by Scott Payne

Highly commended
The Peace Gardens by Raymond Brunell
The Garden at the Edge of the Universe by Uzma
Tranquillity Tales by James Cleary

Eternal Armistice

Jadie Bea

Time travel was supposed to untangle history. Instead, it showed us a loop.

Year after year, era after era, two faces kept reappearing under different helmets. A river-chieftain squaring off at dawn. A siege captain with ash in his beard. A general aiming satellites at a rock quarry on Vesta. Different names, different flags, same gravity drawing them toward the point where men become statistics.

Mara called it a recurrence. I called it a rut worn into the soul.

The Chrono-Council wanted a clean fix—pluck one thread and let the tapestry settle. “Terminate a vector,” they said, the way bureaucrats make killing sound like math.

Instead, we stole both men mid-war and took them to a café outside time.

The café’s clock hands never moved. A jukebox hummed without picking a song. We put them in a cracked vinyl booth across from each other—one pulled from a medieval ladder, the other yanked off a dropship with his mouth still forming an order.

They stared the way mirrors stare back.

They didn’t recognize themselves, at first. Reincarnation is terrible at continuity.

I set our Palimpsest on the table: a little brass rectangle that overlays faces with their former lives. A hundred uniforms ghosted across their features. A crown. A scarf. A visor that remembered ozone. The two men watched their own history peel and re-adhere, a decal you can’t get straight.

The medieval one—Kass, laughed first. Not joy. A bark that meant, how long have I been doing this? The future general—Arlen—closed his eyes and counted to ten like a man defusing himself.

“You brought us here to kill us?” Kass wondered.

“To stop you,” Mara quipped. “If you stop, a lot stops.”

“What happens to the worlds built on fighting us?” Arlen chimed in. He had a commander’s voice even without rank. “Whole economies sit on our backs.”

“Maybe,” I said, “but they’ll learn to build on something that isn’t bone.”

We ordered pie because there’s only so much philosophy you can do on an empty stomach. Outside the window, timelines bunched like a fist, waiting.

Kass touched the Palimpsest. “We hated each other in all those lives?”

Arlen shook his head. “We needed each other. Hate was the language.”

They traded memories you could tell they’d never told anyone: the first rush of a charge; the quiet after; the taste of tin in your mouth when the bugles stop. The way victory rots as fast as fruit.

“What if this is all I am?” Arlen finally mumbled, “A man who knows one trick.”

I slid a napkin toward him. “Learn a new one.”

Mara pulled a pen from behind her ear and set it down. “No speeches. Just a line you won’t cross again.”

Both smiled like men at a cliffs edge. They leaned in until foreheads touched—two magnets testing which way was north—and signed. Kass first, hand shaking. Arlen second, hand steady because someone had to be.

The café lights flickered. The window went strange.

Across history, battles hiccupped and forgot what they were for. Cavalries slowed to a trot and asked for water. A young lieutenant set down a flare and, for no reason he could name, told his men to eat. A siege banner drooped and the crowd, confused, drifted home. The war on Vesta turned into a labor dispute with mediators and long sandwiches.

Ghosts didn’t vanish; they exhaled. Cemeteries kept their stones. We hadn’t undone grief, only interrupted its supply line.

The Council called what we did reckless. “Non-compliant,” our case file read. But the world didn’t care about our HR folder. It began to repurpose itself. Steel wanted to be bridges. Field hospitals learned slower days. Children were named for grandparents still alive.

There was fallout. Armies turned into job fairs. Factories groaned and cursed us through their teeth. Peace arrives with invoices no one expects, and we paid where we could: relief funds disguised as scholarships; a network of memory gardens for those who felt unmoored without a uniform; translators hired where interpreters of gunfire used to stand.

We offered Kass and Arlen a choice: disappear into the anonymous middle of their own centuries, or stay and help the newly bewildered.

They looked at each other, then at the napkin framed now behind the counter, grease rings like halos around their names.

“Send us back,” Kass decided. “Not as us.”

So we dropped Kass beside a flooded ford with a cart and a rope. For the rest of that life he pulled strangers through dangerous water. Arlen woke on a mining moon with a toolkit and a list of safety violations. He learned the names of the men who used to be numbers to him and came home with grease under his nails.

History still argued. Crime didn’t evaporate. But the great machine—the one that ate whole generations because two men couldn’t quit each other—went quiet.

Sometimes Mara and I go back to the café to check the frame. The napkin is still there, ink feathered by steam. The jukebox plays a song now and then, always the wrong era, always perfect.

Once, a couple came in with a toddler on each hip. The little girl scowled at the clock like she wanted it to move. The boy reached up and patted the Palimpsest and giggled when it showed him nothing but himself.

Mara looked at me, eyes asking what mine had already answered.

“For now,” I said, because that’s the most honest peace you can promise.

The world keeps inventing reasons to fight. We keep inventing tables where people can sit. The armistice holds, not as law, but as a habit two souls finally learned: to set down a weapon and lift a pen, to fold a napkin and mean it.

We never told the Council this part: if you press your ear to the café window, you can hear the sound of a war not happening. It’s quieter than you think. It sounds a lot like breathing.

Jadie Bea is a Florida-based writer whose work explores quiet tension, transformation, and the moments people try to outrun themselves. Her fiction often lives in the space between realism and unease, focusing on voice, restraint, and emotional undercurrents rather than spectacle.


Collage: Olen.

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